Category: paintings & illustrations

A few years back I went to see a talk + demo by the local artist Tim Schouten at the WAG (Winnipeg Art Gallery) with my friend and fellow artist Charlene Brown. We had both seen Tim’s encaustic paintings and were interested in learning more about his work and about encaustic in general. Seeing him work was fascinating and the following summer I made sure to visit his studio (http://www.watchthewave.ca/). I was intrigued and scared by this ancient medium and wanted to try it out so badly. I ordered some pre-made encaustic paints and started exploring. It was a lot of trial and error and a lot of playing with different tools – and playing is the key word here, as it truly feels like playing. I instantly fell in love with this medium. I have taken a workshop and have learned how to make my own encaustic paints from bees wax and damar resin. I don’t have proper ventilation in my studio so I decided to set up my encaustic studio on our deck. Painting outside solved the ventilation issue and I have to say it intensified the sense of playing as it reminded me even more of being a kid playing outside. I started working on my next solo show (March 2015 at cre8ery gallery) exploring the theme of dreams and illusions. 6 of my encaustic pieces will be exhibited at cre8ery gallery Nov. 5 to Dec. 10, 2013. Gallery hours are Tuesday & Thursday 12-8pm, Wednesday & Friday, 12-5pm and Saturday 12-4pm.

Here is a bit more information about encaustic:

The word encaustic comes from Greek and means to “burn in”, which refers to the process of fusing the paint. Encaustic is a paint composed of beeswax, damar resin and pigments. The term “encaustic” is often used to describe both the paint itself, and the method for using it. Encaustic paint is applied molten to an absorbent surface, and then fused, (or re-melted), to create a variety of effects. Unlike other paints, encaustic is never wet or dry – it goes from a liquid to solid state and back again in seconds, which means additional layers can be added immediately, without disrupting your composition. Once the surface has cooled, the paint has reached a permanent finish, but the painting can be revised and reworked with heat at any time – minutes or years later.

Encaustic paint was first used over 5,000 years ago in Greece when it was used wax to seal their ships. Eventually they added pigment to decorate the boats.

The oldest surviving encaustic works are 2000 years old. These are the beautiful and realistic Fayum funeral portraits from Egypt. These were painted in colored waxes on wood and w.ere attached to mummy cases to commemorate the deceased and transport them to the afterlife. The wax has preserved them in near perfect condition.

Encaustic eventually fell out of favor because it was so cumbersome to use. Imagine melting wax paint over a wood fire by candlelight! The medium was replaced by tempera painting, fresco, and eventually oil painting. Still, it was kept alive over the centuries by small groups of dedicated artists. Many Impressionists and Symbolist artists experimented with wax. Some of the artists known to use wax in their paintings include Paul Gauguin and George Seurat.

My motto for this week: Try something new that scares you!

Ciao

Anja